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Who we help · Tattoo & Piercing Studios · Accounting

Studio books where deposits, splits and cash closes all land clean.

A tattoo studio runs on money that moves oddly: deposits arrive weeks before the work, the desk takes cash and card side by side, and every payout divides one day's take between the house and the artist. Our End-to-End Accounting captures all three the day they happen, so month-end is a report, not a reconstruction.

Tattoo artist working on a client

The daily close is the whole game

Cash walk-ins for flash, e-transfers for deposits, card payments through Square for booked sessions: a studio's takings arrive through three doors at once. We set up one daily close that ties the POS batch, the cash count and the bank feed together in QuickBooks Online, with supplier receipts captured through Dext, so every day's revenue is proven rather than remembered. Tips paid on card and owed to artists are recorded as a pass-through liability, not studio income, so they never inflate your revenue or your HST.

That discipline matters more here than in most shops. CRA treats cash-heavy personal services as an underground-economy risk and can audit by indirect verification, rebuilding your income from bank deposits and lifestyle instead of your ledger. A studio whose daily closes reconcile to its bank feed has answered that audit before it starts. A studio that banks cash weekly, whenever someone remembers, has not.

E-transfers deserve a special mention, because deposits arrive under client nicknames with no invoice attached. We keep a deposit log that pairs every incoming transfer with a booking and an artist on the day it lands, so six months later nobody is staring at a $120 transfer from a screen name trying to remember whose sleeve it was holding.

A deposit is a promise, not revenue

Money taken to hold a booking is a liability until the needle touches skin. When the session happens, the deposit converts to that artist's revenue and comes off the price. When a client no-shows and your posted policy keeps the deposit, it becomes forfeiture income instead, which carries its own HST wrinkle we deal with at filing time. Gift certificates behave the same way: the sale creates an obligation, the redemption creates revenue.

Books that post every deposit straight to income are wrong in every direction at once. Slow months look better than they were, busy months look worse, and any split calculated from those numbers pays artists for sessions that have not happened yet. Because bookings run through Square Appointments or a booking platform while money runs through the bank, we reconcile the two against each other monthly, so the deposit ledger always matches the calendar.

Where each front-desk event belongs

What happened at the deskWhere it lands in the books
Client e-transfers a deposit to hold a dateLiability under client deposits held; no revenue yet
Session happens; deposit comes off the priceFull session revenue tagged to that artist; deposit liability cleared
No-show; deposit kept under your policyForfeiture income, flagged for its HST treatment at filing
Cash walk-in takes a flash pieceSame-day sale in the daily close, banked and matched
Aftercare or jewelry sold at the counterRetail revenue, tracked apart from service work
Month-end payout to an artist on a splitArtist-share expense, reconciled against their booked work

Splits reconcile only if revenue is tagged by artist

Whether your artists pay chair rent or work a percentage, the payout is only defensible if the books show each artist's sat sessions, converted deposits and retail attach separately. We tag every sale by artist at the moment it is recorded, so a 60/40 or 70/30 payout becomes a report you print, not a spreadsheet you argue about, and a departing artist's final settlement takes an afternoon instead of a month. When the arrangement itself needs rethinking, rent versus split and the classification question inside it, that is planning work we cover under Tax Planning & Advisory.

Compliance costs are a category, not a surprise

Ontario studios operate as personal service settings under public health inspection, and the costs that come with that deserve their own expense lines: single-use needles and cartridges, inks, gloves, barrier film and disposables, autoclave spore testing, sharps pickup under a biomedical waste contract. Tracked that way, you can watch supply cost move with session volume and price accordingly. Buried in a generic shop-supplies account, they just make busy months look mysteriously thin.

Our End-to-End Accounting service carries all of it: bookkeeping, payroll for counter staff and apprentices, financial reporting and tax filing under one roof, delivered to studios across Mississauga and the GTA. If you are a solo artist not ready for full books, CPA Quick Support at $99 a month keeps a CPA on call for the questions in between. Either way, scope and fee arrive in writing after a free 15-minute discovery call.

Common questions

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How should booking deposits show up in my books?

As a liability when collected, revenue when the session happens, and forfeiture income when a no-show triggers your policy. Posting deposits straight to income distorts your months and pays artists for work that has not happened yet.

Can you keep each artist's numbers separate?

Yes. Every sale is tagged by artist when it is recorded, so payouts on rent or percentage arrangements reconcile to sat sessions, converted deposits and retail. The split becomes a report, not an argument.

We take a lot of cash. Is that a problem?

Cash is fine; unproven cash is the problem. A daily close that ties the POS, the cash count and the bank feed together gives CRA nothing to reconstruct, because your ledger already matches your deposits.

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